To give Kate a perfectly pale, upper-class complexion, Tina used a foundation with a dewy finish. "The secret is powdering it in, so you get that lovely porcelain look," she says. Then she blended just a little bit of cream blush onto Kate's cheeks and chin, as well at her brow bone.
"They didn't really use mascara in those days; they used kohl on their eyes. So we tried to replicate the period feel,"says Tina "I used a kohl around Kate's eyes, so when she cried it ran and it looked authentic." Tina also applied a pale-pink powder to Kate's lids to emphasize her blue eyes. To give her lashes a glossy finish, Tina used The Body Shop Brow & Lash Gel in clear. For Kate's daytime lip look, Tina combined two pencils to get a coral color, which she then topped with a gloss. For the evening scenes, she used a combination of darker pencils and a touch of gloss to achieve a ruch plum shade.
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A natural brunette, Kate loved going red for the movie, says Los-Angeles-based stylist Campbell McAuley, who cuts her hair. Titanic hair-stylist Kay Georgui touched up the roots every few weeks. Kate also wore extensions to give her fine locks more length and volume. The end result: a beautiful Rose. "Kate loved the look," says Tina. "She couldn't get enough of it. She adored lookin flawless."
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